Tag Archives: adventure creation

9 Tips for Running Your First Convention Game

Game conventions can be a great way to stretch your GMing muscles, but running a convention game is very different from running even a one-shot at home with your regular gaming group. You never know who (or what) is going to end up at your table and you’re running within a limited time frame, frequently 4 hours. This can be intimidation to a first-time con GM. Here’s a list of tips that will (hopefully) make your game go more smoothly:rpg blog carnival logo

  1. Give the PC’s a clear, concrete goal. This may seem obvious, but I’ve played in convention games where the PCs had no clear idea of what they were supposed to accomplish. The ultimate one was an In Nomine game where the challenge was “Chicago. Trouble. Go fix.” Literally. That was our entire mission briefing.  It left me feeling frustrated and aimless through much of the game.
  2. If you don’t state the goal at the very beginning, make it clear as soon as possible. The classic con scenario is the “mission” scenario, where the PCs are given clear mission goals by a superior in whatever organization they belong to. This is a great way to begin a con game. If you don’t want to go that route, you can have the goal find the PCs, but make sure it happens within the first 30 mins of game time. An example of  the mission finding the PCs: I ran a Trinity game where the PCs were all traveling to new jobs on Luna. That was just a device to get the PCs on the same ship; the real game began when a group of NPCs hijacked the shuttle and the PCs had to capture them while protecting the shuttle’s crew and passengers.
  3. Consider running a “closed-room” scenario. A “closed-room” or “locked room” scenario is one what takes place inside a very limited area which the character, for some reason intrinisc to the plot, can’t leave until the goal has been accomplished. You see this most often in murder mysteries and, indeed, my first successful con games were murder mysteries. Yes, it’s contrived. Yes, it can be constricting. But it makes it much easier to run a scenario when you know the PCs aren’t going to suddenly take a train to Borneo.
  4. Give your game an intriguing title. That will help it stand out from the mass of other games in the con catalog. You want your title to intrigue players into finding out more about your game. Some titles I’ve used:
    • Things that Go Bump in the Night (an Everway game)
    • Crimes Against the State (an Amber Diceless game)
    • Every Now and Then (a Mage: Technocracy game)
    • (After)Life is a Caberat (a Wraith: the Oblivion game)
  5. Advertise your games, particularly if you’re a brand-new con GM. Frequently cons have boards where you can tack up game notices. If you’re lucky, you’ll be able to put up posters in other places at the con venue, such as lobby pillars — always get permission to put these up first! I like to use 8 1/2 x 11 fliers with an eye-catching picture, the name of the scenario, the name of the rules system (including edition!), the time of the game, the location of the game (if you know), the name of the GM, and a brief description of the scenario designed to pique players’ interests.
  6. Take time to explain. Many, many players come to cons to try out games they’ve never played before. So you may have someone at your table who’s never played any RPGs or someone who’s been gaming since Chainmail was new. Take the first part of your time slot to do a quick run-down of the game, its mechanics, its background and the characters involved. For a four-hour game slot, I reserve the first hour for explanations
  7. Time your game. It’s extremely rude to run over. If you run too far over, your players will miss their next game. I usually aim my games to run one hour less than the available time. That gives me some leeway to deal with plot derailments, lost players, etc.
  8. Use pre-generated characters. Unless you’re running an extremely simple set of mechanics, you’re not going to have time to create characters and play the scenario. And if it’s a new game to a player, most likely they don’t know what they want to play. Also, having pre-generated characters means you can tie them to your plot and to each other. They’re known quantitites, you can plan the scenario around them.
  9. Consider creating player handouts. Along with a copy of the character sheet, I give out a character history/background, a one-page explanation of the game, another 1-2 pages of “cheat sheet” for mechanics, and brief summary of any important background information the player will need to know for the scenario. Don’t bog them down with details or mechanics that aren’t crucial for that session. Important: don’t photocopy the books unless you have specific permission! This is plagerism. I give my players “crib notes” — something they can refer to during the game, but is basically useless without the rest of the rules.

This post is part of the RPG Blogger‘s August Blog Carnival.

GM Tools: Story Worksheet

White wolf publishing introduced the idea of a story worksheet in their Vampire Storyteller’s Companion (first edition) . Basically, it’s a “quick reference” sheet that covers key details of the adventure at a glance, such as a plot summary, key NPCs and situations, any rewards for the characters should receive and the conditions for success and failure. I found this so useful for planning adventures — even whole campaigns — I’ve expanded on it and adapted it to all of my other games. Using these sheets helps me focus on the important points of a story and not get lost in the details.

Any GM will want to tailor these sheets to fit their own gaming style and world. I use separate campaign and adventure sheets, as well as a quick-reference sheet for important locations. Frequently, I don’t need anything more detailed than these to run a game, but I’m a very “off-the-cuff” GM.

Here’s what my adventure/”story” sheets cover:

  • Campaign / chronicle name
  • Story name
  • Geographical setting — where does this adventure take place geographically?
  • Start date (real time)
  • Start date (game time)
  • PCs involved — since I frequently reuse entire campaigns, this helps me remember which campaign I’m currently running.
  • Adventure concept —  a one to two sentence summary of the adventure. This helps me clarify the adventure so I don’t get bogged down in  subplots. Example: PCs are hired by the local king to eliminate the dragon terrorizing the local farms.
  • Plot archetypes — is this a “bug-hunt” (like the example above), a rescue, a “baby-sitting” (ex: guard the prince while he travels through Lupine territory on the way to an important meeting), a murder-mystery, etc?
  • Plot summary — a short paragraph detailing the beginning, middle, and possible outcomes of the adventure.
  • Theme — another inspiration from White Wolf. My theme is an open-ended question or phrase I’d like the story to explore. Ex: Trust — who can you trust, how do you know you can trust someone and what do you do when you can’t trust anyone?
  • Mood — what overall mood I want the adventure to have.
  • Subplots — these are subplots I want to make sure I touch on in this adventure.
  • Key NPCs
  • Key Locations
  • Key Situations
  • Adventure opening — how do you get the players involved in this story, where does it take place, and who are the key NPCs the PCs need to encounter
  • Adventure outcome — what are the most likely outcomes (I find this useful, even though my players will inevitably find something that never even crossed my mind), where is the final scene likely to take place, and the NPCs key to the outcome of this adventure
  • Midpoints — a list of the crucial points of the adventure. This is a list of events that need to take place during the adventure, along with their locations and key NPCs
  • Rewards and the conditions for gaining them
  • Game summary questions:
    • Who are the characters involved?
    • What do they need to do?
    • When do they need to do it and how long do they have to do it in?
    • Where do they need to do it?
    • Why do they need to do it?
    • How are they likely to accomplish it?
  • Plot outline
  • Summary — a brief summary of what really did happen in the adventure.

Next time: Adventure / Chronicle Worksheet

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